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- #The adventures of tintin movie movie#
- #The adventures of tintin movie full#
- #The adventures of tintin movie series#
However, it’s also impossible to hate any movie with this much action, adventure, and such a gloriously upbeat tone. Since there isn’t much to Tintin to explore, there’s no need to waste time with character arcs or backstory.īy virtue of the somewhat boring protagonist alone, The Adventures Of Tintin is far from a masterpiece. Jackson, and the writers loaded on so much spectacle. It’s probably one of the reasons why Spielberg. Tintin’s adventures always happen to him and he doesn’t offer much in the way of personality. That’s why he never seemed compelling in the books. Beyond a lust for adventure and an unerring moral compass, he’s a bit of a blank slate. Unfortunately, the only character who feels somewhat boring is Tintin himself. That’s true of most of the comedy in the film, which would be a major problem if the pace of the action ever slowed down long enough to give viewers time to take in much characterization. Simon Pegg and Nick Frost manage about a 50-50 hit-to-miss-ratio with their gags as the bumbling, Interpol twins. Daniel Craig is an amusing snarling villain while mo-cop veteran Andy Serkis (aka Gollum in Lord Of The Rings and Caesar in Rise Of The Planet Of The Apes) vamps his way through a role as the drunken Captain Haddock. The motion capture technology allows for some droll performances from the cast that were transferred into animation.
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Not a scene feels wasted as Spielberg barrels along from one action scene to the next, daring the audience to catch up. On a purely visual and technical level, the film is a wonder to behold. Highlights include an astounding chase though a crumbling city that’s executed without an edit through swooping virtual camera moves and a remarkable flashback scene for Haddock where the camera constantly zooms in on a detail from the present day and morphs it into an image from the past.
#The adventures of tintin movie full#
The director takes full advantage of the elastic reality afforded by the semi-animated medium to pull off some incredible sequences he could never have accomplished in live action. That technology has come along way from the creepy dead eyed characters in the first motion capture movies and while the animation doesn’t quite have the detail or artistry of a Pixar movie, it’s starting to come damn close.
#The adventures of tintin movie series#
To bring the cartoony comic book series to life, Spielberg employed the motion capture technology that his buddy Robert Zemeckis developed in titles like The Polar Express and the deeply underrated Beowulf. The filmmaker essentially tells the story through set pieces, with barely any scene passing without some sort of chase, fight, explosion, or a flashback to all three. They’re merely a vehicle for grand Spielberg suspense and action sequences and the great director has some incredible ones up his sleeve. The specifics of the plot aren’t important. Along the way, he meets up with a few series regular characters in the semi-competent twin Interpol offices Thompson and Thomson as well as the drunken Captain Haddock, all of whom will return in the inevitable sequels. In retaliation, he sets out to retrieve the boat and ends up caught in the midst of an international adventure for lost treasure. Tintin refuses and his apartment is swiftly broken into and the model ship stolen. Tintin discovers a model ship in a market and buys it only to instantly be asked to sell it by a mysteriously evil man (Ivanovich Sakharine, a name with so many syllables that the character has to be evil). It’s impossible to tell and that was always the style of original author Herge’s whimsical comic book world. The film introduces the titular hero and his canine companion on the streets of Paris with an amusing in-joke to good to spoil here. The only problem is that the film is so fast and action packed it can become exhausting…if you even consider that a problem. This is a welcome return of thrill ride Spielberg that almost makes up for that whole Crystal Skull debacle. Who), Edgar Wright (Shaun Of The Dead), and Joe Cornish (Attack The Block), the film is a ripping boy’s own adventure that kicks off the first action scene barely 10-minutes in and then jumps from set piece to set piece from that point on. Surrounded by a team of non-America Tintin enthusiasts in producer Peter Jackson (Lord Of The Rings) as well as screenwriters Steven Moffat (Dr. It’s not surprising that the source material captured the imagination of the 80s populist Spielberg, because the final film is possibly the most unrelentingly entertaining movie that he’s made since that decade.